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Monday, March 31, 2008

Justified and Ancient

Two guys, British techno-pop rockers, named Bill Drummond and Jimmy Cauty, formed a group called the KLF. The name KLF was the last in a long line of group alias. They were part of the British acid house movement in music in the 1980's and early 90's, and they based their group’s mythos and media on a book.

From the outset, they adopted the philosophy espoused by esoteric novels The Illuminatus! Trilogy, gaining notoriety for various anarchic situationist manifestations, including the defacement of billboard adverts, the posting of prominent cryptic advertisements in NME magazine and the mainstream press, and highly distinctive and unusual performances on Top of the Pops. Their most notorious performance was at the February 1992 BRIT Awards, where they fired machine gun blanks into the audience and dumped a dead sheep at the aftershow party. This performance announced The KLF's departure from the music business, and in May 1992 the duo deleted their entire back catalogue. (from wiki)

In their 1991 album “The White Room”, but with origins dating back to their debut album, they published this song, called “Justified and Ancient” or “Stand by the Jams”. The imagery in this video is telling. It depicts the Goddess of Chaos, Mu, and her hand maidens, and makes numerous references to Mu or Lemuria. It also makes visual references to the burning wicker man, which is a pagan ritual. What’s more, they put Tammy Wynette, who is the undisputed queen of country, as the Goddess Mu, which I believe is a stroke of pop culture genius. This was filmed before her death in April of 1998.

The title "Justified and Ancient" refers to The KLF's pseudonym and earlier incarnation, "The Justified Ancients of Mu Mu" (The JAMs). The JAMs took their name from - and mirrored - a fictional subversive cult from the 1960s intellectual conspiratorial novels The Illuminatus! Trilogy. Just as the fictional JAMs made it their remit to propagate chaos and confusion, so too did the real JAMs and The KLF. Their attempts to subvert the music industry and other establishments were frequent, unconcealed and controversial. The song "Justified and Ancient" is a statement of identity and rebellious intent. Moreover, it deliberately understates this intent. (from wiki)

I stumbled upon this song about 10 years ago and it struck a chord in me that I’ve never been able to shake. I didn’t understand the subtle undertones and the imagery then. Now, as I find myself navigating a changing and emerging new world at this unique time in Earth’s spiritual history, and evolving right along with it, I can say that I finally get it. If there was ever a time that the Goddess of Chaos was having her way with the world, be it Kali Ma, Sekmet, or Mu, now is that time. As She ruthlessly paves the way for transformation on this tiny planet, can we only hope but to stare in awe at her power and hold on as tight as we can?

Or do we release comfortable (but futile) illusions of control to ride the ebb and flow of change as best as we are able?

Do we simply let go?

Here, for your consideration, is one of my favorite songs and videos, an instance where mankind's spiritual transformation manifests in popular culture.




Sunday, March 30, 2008

Show Me Jesus

I'm not sure if its the way I was raised, or the time my family spent as Jehovah's Witness, but I've never felt a particular kinship to Jesus. Even though I'm pretty sure that Ammachi is here for much the same reason, and I worry that some day something horrible will happen to her to help save the world, I still can't find a connection with the man.
Cartoon Dolly
Then I heard this song. It took the Dolly Momma to sing it for me to really hear it. It makes my heart ache, and makes me wonder if once I didn't have a strong connection to the christian movement ... or perhaps to Christos, either the man or the mythos. Maybe it's just that yearning for God is yearning for God, no matter what form your God(dess) is in.


I needed my celebrity guardian angel to show me Jesus.




He's Alive
(Words and music by Don Francisco)

The gates and doors were barred
And all the windows fastened down
I spent the night in sleeplessness
And rose at every sound
Half in hopeless sorrow
And half in fear the day
Would find the soldiers breaking through
To drag us all away

And just before the sunrise
I heard something at the wall
The gate began to rattle
And a voice began to call
So I hurried to the window
Looked down into the street
Expecting swords and torches
And the sound of soldiers' feet

But there was no one there but Mary
So I went down to let her in
John stood there beside me
As she told me where she'd been

She said, "They've moved Him in the night
And none of us know where!
The stone's been rolled away
And now His body isn't there!"

We both ran towards the garden
Then John ran on ahead
We found the stone and empty tomb
Just the way that Mary said
But the winding sheet they wrapped Him in
Was just an empty shell
And how or where they'd taken Him
Was more than I could tell

Oh, something strange had happened there
Just what I did not know
John believed a miracle
But I just turned to go
Circumstance and speculation
Couldn't lift me very high
'Cause I'd seen them crucify Him
Then I saw Him die

Back inside the house again
The guilt and anguish came
Everything I'd promised Him
Just added to my shame
When at last it came to choices
I denied I knew His name
And even if He was alive
It wouldn't be the same

But suddenly the air was filled
With a strange and sweet perfume
Light that came from everywhere
Drove shadows from the room
And Jesus stood before me
With His arms held open wide
And I fell down on my knees
And I just clung to Him and cried

Then He raised me to my feet And as I looked into His eyes
The love was shining out from Him
Like sunlight from the skies
Guilt and my confusion
Disappeared in sweet release
And every fear I ever had
Just melted into peace

He's alive! Yes, He's alive!
Yes, He's alive and I'm forgiven
Heaven's gates are open wide
He's alive! Yes, He's alive!
Oh, He's alive and I'm forgiven
Heaven's gates are open wide
He's alive! He's alive!
Hallelujah, He's alive!
He's alive and I'm forgiven
Heaven's gates are open wide
He's alive! He's alive!
He's alive!
I believe it, He's alive!
Sweet Jesus!

Music Witch

Stevie Nicks looking fabulous at more than fifty. Ruby red lips singing about desire and need. Feeling the link between past lives and now, I wonder how many times this music witch has given it over to someone who has what she needs.

Stevie has been singing the depths of my heart for years, since I was a teenager.


Sing it for me, Stevie … sing it for me.




Sorcerer
- words and music by Stevie Nicks
- appears on Trouble in Shangri-La released May 1, 2001
Produced by Sheryl Crow and Stevie Nicks
Engineered by Brian Scheuble
Drums: Matt Chamberlain
Bass: Tim Smith
Guitars: Sheryl Crow.
Peter Stroud and Jeff Trott
Keyboards: Patrick Warren
Guest Vocalist: Sheryl Crow
Background vocals: Sharon Celani and Lori Nicks

Lyrics

I'm tired
I'm thirsty
I'm wild-eyed
In my misery

Timeless
in your finery
It's a high price
For your luxury

Chorus:

Sorcerer
Who is the master
A man and woman on a star stream
In the middle of a snow dream

Sorcerer
Show me the high life
Come over Let me put you on ice

All around black ink darkness
And who found lady from the mountains
All around black ink darkness
And who found lady from the mountains
Lady from the mountains

I'm tired I need you badly
I'm wild-eyed In my misery
Timeless in your finery
It's a high price For your luxury

(Chorus)

Tuesday, March 25, 2008

SACRED SPACE

ORIGINALLY POSTED in my spirital blog, this includes new pictures of sacred space in the house.

Sacred space has been a consistency in my life. No matter what my problems were, what my situation was, and even no matter what my age, I have unconsciously created or sought out sacred space. It is where I go to get comfort or calm, center myself, and connect with the Goddess. It can be a natural setting or a shelf I decorated. It doesn’t matter what it is, because what matters is the feeling you get being there. If looking at it feels good, makes you feel like you’ve connected, then chances are you’ve found a sacred space that works for you.

During the first 33 years of my life, I felt tossed about like foam on the surf. I reacted to everything and understood nothing but my anger and impatience. I’ve spent the last ten years working on the ability to respond, as opposed to react, and seeking insight into my spiritual and emotional wounds. Taking haven in sacred space has made that process possible.

Before I allowed the Goddess to truly install herself in my heart, I went to the ocean to connect with Her. I’ve always resided close to a large, living body of water. First, it was the Connecticut coastline, where the power of the Atlantic is muted by Long Island Sound. Then, it was the crisp, cold Pacific Ocean on the California Coast, where nothing blocks the sound of waves crashing on the shore. Living near water has always been important to me, and in times of turmoil, the ocean was my refuge, the place where I went to recharge my batteries.

My partner, Leslie, and I have been together for almost 25 years. In 1995, we lived in San Francisco, and her mother, who’d been with us for 8 years, died of lung cancer. She was at California Pacific Medical Center, and we were there with her day after day, as she struggled with the cancer’s invasion of her body, and we struggled with hospital administration. Many times, we found ourselves driving down to Ocean Beach, taking our fill of its healing properties, positive ions, and generally decompressing. In fact, it was there that we found our angel, Casey, a golden retriever, who would be our savior after Leslie’s mother died, when we desperately needed someone to take care of in our transition. Casey, one of the most significant animal totems and signposts in our life, was a gift from the Ocean, a gift from the Goddess, at a time when we needed one the most. We didn't know it then, but Casey's work guarding over us, her human charges, had only just begun.

In 2000, when the office and on-going projects pushed my endurance to the limit, and I was exhausted and sick with bronchitis, I found Her comfort on the coastline in Malibu, California. Over the fourth of July holiday, we stayed in a cabin that faced the water just like the movie stars. It was fabulously fancy. I wrote in my journal late at night outside on the deck, by the light of the moon, and grew tired as the waves sang their lullaby. I woke the next day feeling those waves as they rumbled an insistent baritone in my chest, and a mob of pelicans fed raucously over the ocean, just 50 yards from where I slept. By the end of that trip, I was leaving offerings to the Goddess on the deck, which seemed the natural thing to do. Her gift to me then was the word delegate, which was to be my challenge in the workplace as I grew to understand the power of teamwork.

In this, the Goddess led me to one of my life’s charges. I have an understanding of how individuals can unite and produce something that no individual can accomplish alone. As a consequence, I am very confident in this area, and instill confidence in those around me. My charge is to help individuals achieve their full potential by awakening their skills and natural abilities. Initially, this manifested in the work place, but it has since manifested in other areas of my life, the most important of which is at home with my beloved Leslie and our daughter. This generous gift from Mother leaves me grateful and humbled.

By far the most sacred ocean spot I’ve visited is Pescadero Beach in Northern California. I cherish all of my experiences with the Great Mother at the ocean, but She feels more alive to me here than any place else. Once, while picnicking with my family, I said to my daughter, “Do you see Mother Nature at work here, Elizabeth?” And her answer, completely innocent at three years old was, “Boy, she sure is getting everything wet!” I began my personal relationship with the Goddess here, by speaking to her out loud. I’ve asked Her for a million blessings here, and felt completely safe here. I’ve used Her bounty in crafts, projects, and rituals in a way that celebrates her abundance, but is respectful of her limited resources. I’ve sat on Her cool sand, with my back against the solid rocks, and closed my eyes in meditation. The sound of the sea, its constant motion and sighing, is Her breathing. The waves pounding on the shore is Her heartbeat, synchronizing with my own until the profundity is too much to bear and I must open my eyes once again.

Through nature, the Goddess embraces me with her thousand arms at the ocean, and I, her child, am at peace there, content in the palm of Her hand ... my sacred space.

Rocks

These crafts were made in November 2005 by Elementary School Students in Millbrae, California. Leslie and I were co-chairpersons on a school project called "The Snowflake Shop", wherein the kids spent two days in craft workshops making the items that would be purchased in the The Snowflake Shop as Christmas Gifts. They created, among other things, these paper weights. The rocks are from Pescadero Beach in Northern California.

Full Moon Altar

FULL MOON ALTAR created in August 2007.
Amma

Mothers fill our lives with love.

Strega Space

Altar space honoring memories of Stregheria in ancient Italy.

Strega Space 2


Note: The photo above, "Pescadero Beach" is copywritten by Leslie Faber in 2005. All rights reserved.
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