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Showing posts with label love. Show all posts
Showing posts with label love. Show all posts

Friday, June 10, 2011

Change is like Puppy Poop

I woke up to the world about fifteen years ago and stopped reacting and began responding instead.  Suddenly, my heart was plugged in where once it was held back for safe keeping.  It was a primarily spiritual awakening, but it was emotional, too, as I’m convinced that our spiritual and emotional bodies are intrinsically linked.  I began to notice the repeated presence of certain animals almost immediately and gradually I realized each had symbolic and personal meaning.

We had a macaw from 2002 to 2005. He was a beautiful bird, had lots of personality and was very deep emotionally. He was also an intense task master who demanded my full attention. When I strayed, he bit me. Have you ever been bitten by a macaw?  It’s extremely painful.  His name was General, and he was one of my greatest teachers.  From then on, I saw birds everywhere. 

Wild parrots, a sign of the Goddess, are all over San Francisco.  I bumped into them frequently near the Embarcaderos where they took over a local park and on Dolores Street where they’d invaded palm trees. They were all over Connecticut, too, nesting in telephone poles and causing all sorts of trouble.   Hawks frequently circle the mountains near our home, and I can hear them vocalizing when I walk the dogs.  Great Blue Herons have been a personal spiritual signpost since I saw my first in the year 2000.  They affirm I am right where I should be.   While we lived in Connecticut, I worked on an enormous 1,500 person pharmaceutical campus in Wallingford, and every day on the way in, a Great Blue heron stood in the pond assuring me that even though I didn’t like being there, I was there for a reason.  Here, I was gifted with very special time with my grandmother.  Symbolically, birds are a sign of the intellect or thoughts, and they remind us to be watchful, particularly hawks with their visual acuity.  I believe they want to put us in touch with our blessings.

Dogs, on the other hand, are all feeling.  They understand the world through their nose, but they feel and communicate with their heart.  Jack, our Golden Retriever, was a very direct communicator, and when he needed to go out for a walk, he made direct eye contact with me and wouldn’t let up until I put my shoes on.  Daizy, our Boston Terrier, is quite cerebral, and when she wants something, like more food, she points to it with her nose. Of course, we saw the depth of her heart when she grieved over losing Jack, who recently passed away.  Teddy, the new puppy, is learning very quickly and uses his eyes, nose, paws, voice, and other bodily functions to communicate his needs quite effectively. He’s got all bases covered. 

A few night ago, as we drove homeward on highway 101 down the hill into Pacifica, I saw a coyote.  It was standing atop a bluff silhouetted by the dusk sky.  I hear plenty of coyotes singing at night, but I’ve never seen one. This was clear as day, however, and it caught my eye immediately.

The coyote is considered a trickster by native americans. He reminds us to tackle life’s challenges with a sense of humor, much like the Devil card in the tarot’s major arcana.  Some believe he brings shifts of balance and consequently an ending somewhere, representing the natural cycle of life and death.

The next morning, my grandmother passed away in her sleep.  In the 10 years she was in convalescent care, she fought raging UTI infections and sepsis, hallucinations brought on by powerful antibiotics, and increasingly intense dementia.  She’d returned from death’s door more times than I can count, but she left this world with little fanfare or drama. Her heart simply stopped as she slept, and she departed quietly and peacefully in the night.  Thelma’s death wasn’t unexpected, but it shifts the balance in my life a number of ways by closing the door on the past, yet urging me to remember how she helped me when I was a child. It puts me poignantly in touch with my gratitude. 

Thelma’s obituary was posted on line and whoever wrote it rendered her grandchildren (my brothers and I) anonymous despite our having played a major role in her later life.  There is a lot of water under that bridge. Floods. I found this incredibly irritating and most hurtful, and I started to get hung up on it.

While walking the dogs yesterday, I noticed two Red Tailed Hawks riding the drafts together and singing songs of companionship with screeches and chirps. They were beautiful.  Then, I lowered my head just in time to see a monarch butterfly cross in front of me.  When I looked up again, there were four hawks instead of just two, and they were singing and playing in pairs.  It was breathtaking and gave me pause. 

Like the coyote, the butterfly’s message is about evolution and change.  While they are beautiful, they pass through an entire lifecycle very quickly, embodying the ability to navigate change successfully.  In fact, change happens whether we want it to or not. It is best to roll with it, lest it roll right over us.  The hawks remind me to remain focused on what makes me happy, but not to the detriment of my responsibilities.  There is always the need to balance economics with creativity, which was something my grandmother was good at in her day, and something I struggle with currently.

So, what’s the short version here?  First, change, like puppy poop in the house, happens.  Accept it.  If you don’t watch for it, you’ll step in it.  If you do, don’t dwell on it, just deal with it.  Like puppies that get into everything, blessings are everywhere, but if your heart isn’t open, you’ll miss them.  We may not get what we want in life, but we’ll get what we need. This requires faith, which is another good reason to keep your heart open.  Life is a gift, and our time here is limited.  But, like the hawks and the butterfly, perhaps if we observe change, our blessings will double.

Eyes open.

Heart open.

Faith.

It’s all good.

Tuesday, January 11, 2011

FROM OUR WORKSHOP: Scrapbook Project

If you know me at all artistically, you know I have a thing for stickers and embellishments. I use them everywhere I can in my art to make cards, bookmarks, and framed pictures. I love to wander aimlessly through the scrapbook section of the art store, too. I love the butterflies and birds, the flowers and the trees. Ladybugs marching across a page make me very happy. I’ve written copiously on the artistic freedom and immediate gratification I feel using embellishments in my collage work, and I appreciate the difference between the commitment to a large pen and ink piece and this. Still, I haven’t done an actual scrapbook since my daughter was two, and that was over 10 years ago.

Recently, a friend of mine returned from a road scholar’s hiking trip in Death Valley with some wonderful photographs and loads of enthusiasm. This is a woman who finds her balance and serenity in nature and seems to have limitless energy for the pursuit of such endeavors. Her birthday was shortly thereafter, and I wanted to give her something she’d appreciate, something that looks and feels natural and reflects her adventurous spirit. What better gift than a commemorative scrapbook!

I started with the right paper, and the inside pages were handmade from India and oversized at a perfect 9 by 13 inches. I loved the feel of it in my hands. The rough edges appealed to me enormously, even as an allegory for life. After all, there is nothing smooth about living. I used my friend’s photos, both large and small, and standard photo corners to give it an authentic look. I decorated pages with all sorts of flower and butterfly stickers, and other elements of nature, but each page seemed to ask for more. So, using a silver ink pen, I drew swirls, stars, hearts, and dots, at times surrounding quotations about nature by people like John Muir, more on some pages than others, but always embedding friendship and love into each word and symbol with the movement of my pen. This pulled it all together.

Now, how would I bind this piece of art without damaging the beautifully uneven pages? I didn’t want the binding to restrict page turning and I didn’t want to use a boring coil or GBC comb. I found a set of rods in the bookmaking section of my favorite art store, and they required only two holes in each sheet. The result was terrific! I covered the scrapbook’s front and back using another beautiful handmade paper, and then at the last moment added flower appliqués and faux-crystal butterflies. The appliqués were very appropriate because my friend loves to sew.
I have to admit that wrapping the scrapbook was as much fun as making it. Gift wrapping is a passion, and I try to make each package an adventure without taking away from the gift itself. I’m convinced I was a Macy’s gift wrapper in a former life. Continuing the natural theme, I used a box that was covered with lavender flowers (the color of friendship), and friendship affirmations, and I topped it with bright green ribbons. When it was done, the package felt like a flower.

Gift-giving is a wonderful thing. When a gift is thought out and made with our own hands it carries so much more meaning than something store bought. When our gift of creativity inspires the recipient to creative endeavors, a circle of inspiration is formed. Your intent has come full circle and a sort of circuit is created. To me, that is an amazing thing occurring spontaneously between two people.


This specific project was a lot of fun, but more, it provided me with a focus when I needed one outside of other demanding issues in my life. My friend was absolutely thrilled with her gift, but I received a gift in the making of it, too.

How could I ask for more?

Friday, June 18, 2010

Ios: A Personal Love Affair



By Guest Author, Lambi Lentakis

The isles of Greece, the isles of Greece!
Where burning Sappho loved and sung,
Where grew the arts of war and peace,
Where Delos rose, and Phoebus sprung!
Eternal summer gilds them yet,
But all, except their sun, is set ...
Lord Byron

The Greek islands have held so many people in their thrall over the ages. Many have roamed their shores and written about their beauty and the special light of the skies and the colors of the sea. I grew up in London, and because my parents were Greek, we visited Greece a lot as a family and made many trips around numerous islands. Later I traveled farer a field, but I felt myself constantly drawn back to Greece and her islands. Deciding that the Cycladic group of islands appealed to me most, I island-hopped extensively, discovering many beautiful places, until I came upon Ios. Here, I had found my dream island and the source of my inspiration, so I decided to stay.



What makes Ios special?


What is so special about Ios? When I first arrived in the early 1970s, I was looking for sun, sea and fun (much like people are nowadays). These I found in abundance. Along the road, I discovered stunningly beautiful landscapes, a graphic traditional village, stupendous beaches and a sense of timelessness. Yes, Ios has changed over the years, but somehow it has remained basically the same. The old traditions of the locals are entwined with modern technologies and the influx of visitors only really changes the rhythm of the island during the few summer months.


One of the reasons I love Ios so much are the beaches: most islands have one or two lovely beaches – Ios has over 30, some of them spectacular. There’s a beach to suit all tastes – sandy, rocky, pebbled, busy or remote. If you want to participate in water sports activities or poolside fun, you can – and there’s even a scuba diving school. On the other hand, if you want a beach to yourself, you can also find one. The waters are crystal clear which make swimming and snorkeling very enjoyable.


If you get tired of the beaches, there is always the picturesque village to explore with its little white houses with doors and shutters of varying shades of blue and its winding narrow alleyways – some of them partly covered. The little back streets have a charm of their own with beautiful little patches of color of bougainvillea and other plants. Lining the main lanes are shops, little bars and places to eat. No cars are allowed into the traditional part of the village which is built on a snail-shaped hill, with many steps to reach the higher parts. It is well worth the climb as when you reach the top with the 4 churches, the views over the sea are incredible.


The nightlife is vibrant with a vast choice of places to drink, socialize and dance the night away. The main square of the village is a great meeting place and people of all nationalities and ages congregate in the evenings to meet up and have fun. In the bottom square you can listen to live Greek music in the summer evenings. Both squares are great for people-watching and having a catch up with your friends and can get quite busy at night, while in the mornings they are peaceful places to linger over coffee with friends. Here, I made the best friends of my life and also met my future husband.


If you are a lover of nature, there are various treks through the hills and mountains which show you a different aspect of the island and some very strange rock formations. In springtime, if there has been enough rain, the mountains are covered in a carpet of wild flowers and wherever you tread the scent of thyme & other herbs perfumes the air around you. My husband has found 16 different varieties of wild orchids on his walks and well as many other flowers.


Village life


Maybe it is village life itself which is the main draw of Ios for me. Here, I know so many people – the locals, the workers, the visitors who come back at set times every year – and I also get to know new people every time I’m here. Not only do I know the people, I know their pets too. A walk through the village involves many stops to chat to the butcher, the baker, the boutique owner and also pat their dogs & talk to their cats. This feeling of community & lack of anonymity is common to most villages, but Ios offers something else as well. Because of the tourist nature of the island, there is a metropolitan flavor and a break down of barriers. Visitors are mainly cheerful as they are on holiday & this creates an open, joyful atmosphere. One day I may meet an artist or musician, another day a bricklayer or a carpenter. The millionaire rubs shoulders with the back-backer. The young mingle with the old and nobody looks askance at the 83 year old artist who comes every year to drink her retsina and dance the night away.


All these things contribute to why I’m in love with Ios and I hope I have managed to convey the “Hotel California nature” of the island – I am not the only one who keeps returning. Even those who do not visit the island for years, often come back with their families to show their partners & offspring the magic of Ios. It gained its reputation as a party island in the 1980s, but in truth, it is much more than that. Ios caters not only for the party animals, but also for those who seek peace & serenity. It may be an island for youth, but older people also appreciate its charm. The locals have seen various tribes of visitors pass through their land – from the hippies to the Goths, rockers, punks – you name it. Many eccentrics have graced its shores. The Niotes (people of Ios) have looked on with acceptance (and amusement) at the various antics that people get up to. They embraced us with hospitality and love, although our customs are so different to theirs. They allowed us to be ourselves and to act out our dreams. On Ios I can be as silly as I like & find people to join me in my silliness – it is the only place in the world that I feel I have the freedom to be me – and I think that is the real reason for its magic.


About the Author


Lambi is a bohemian artist who finds her spiritual solace on the Greek island of Ios, although she spends the winter months in Athens. Her work is inspired by the people she knows and the places she goes, and of course, by the island she so loves, which manifests regularly in her paintings. You can see more of Lambi's work on her blog and follow her on Twitter
 
Read my blogpost Kaleidoscope which features Lambi's art.  Also, Lambi inspired the piece of art to the left here, which is a page from my Art Journal.  She loved it and uses it as her profile pic on FB.

Sunday, October 4, 2009

FROM OUR WORKSHOP: Don't Tell Me To Stop



Don’t Tell Me To Stop © October 4, 2009 by Donna L. Faber, Full Moon in Aries. This piece is done on Strathmore Bristol Vellum, 100 lb. paper, with Prismacolor markers and Pips. The original is about 10” x 13”. It hasn't been scanned. It's been photographed.

Acknowledging the Muse Within

A woman’s heart is an ocean of secrets. This is something I know from experience. What you see on the outside, the way she looks or moves, the way she expresses herself, her barriers, restrictions or vices, work, hobby or daily routine never adequately represents the treasures hidden away within. Too frequently, we restrict ourselves in the expression our heart’s delight. What’s more, society doesn’t provide for or accept the many ways our hearts wish to express themselves either. Our rules are stringent and unforgiving. Our hands are tied and as a result so are the rest of us.

I rail against this, and hope that the change our world is undergoing, this spiritual shift, will transform this repression. I hope that through a spiritual awakening, all women will embrace who they are and share their gifts with the world without fear or hesitation.

There is something inside of me that resents this restriction intensely, and I know that if I ever let that part of me out of the bag completely, my life would never be the same.

I fall in love frequently. Some times I fall harder than others, but when I do, it’s just as genuine as the very first time it happened to me at 16 years old. Each love I experience seems perfect for the object of my desire; however, it’s not always permissible to express it. Instead, I try to the best of my ability to honor the divinity in everyone and hope that is enough.

Is it?

There is a woman inside of me that refuses to be stifled when it comes to love. She flat out refuses to be repressed. Love in its truest form must be as sensitive and empathic as it is reciprocal. But this lady is a love hammer that refuses to act contrary to her truest nature. Even though I know that love shouldn’t be used as a bludgeon, this archetypic female doesn’t know how to do it any other way.

This is Francine, and she is one of my greatest muses. Not to be confused with inspiration, which is something on the outside that gets my attention, a muse is the internal emotion that prompts me to create. Francine is the part of me that rails against repression, and so consequently, she is the dynamic force behind so much of my art and writing. She beats the inside of my psyche with her clenched fists, she runs rampant in my dreams, whispers in my ears, and reigns over my day dreams at work, home and on the bus. In the car with my family, if I drift away unhearing, Leslie asks, “Hello? Are you there?” It is Francine pulling me away from the here and now as she rattles the bars to the cage I’ve put her in and has me swooning in the arms of my latest obsession.

So, this piece is done to acknowledge my inner love hammer, Francine … that’s why I call it “Don’t Tell Me To Stop”.

Because she never will.

Friday, October 2, 2009

EMERGING ART: Don't Tell Me To Stop

Don’t Tell Me To Stop © October 2, 2009 By Donna L. Faber
Full Moon in Aries (almost)
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