TEMPERANCE
CARD #14
KEYWORDS: Flexibility, Moderation, Transcendence

The magic of the Tarot lies in its timeless symbolism. When we look closely and contemplate tarot symbols, they help us awaken intuitive channels and unlock the secrets of our higher selves. The Great Mother gave us more than a tool for divination. She provided us with a visual roadmap to understanding as we navigate our way through a constantly changing world.

The tarot’s major arcana cards represent universal experiences that we all go through, no matter what our background or how we were raised.

Change, like death and taxes, is something we can count on but don’t necessarily look forward to. It often affects us directly in very tangible ways igniting a series of internal changes in its wake. When circumstances push us through hoops, doors, and open windows, we are pulled out of our comfort zone. We may react strongly, with unexpected emotions, and we may find ourselves acting out in unanticipated ways. Stress, after all, can do strange things to even the most stable individual.

In this modern, pop-culture rendition of the Temperance Card, actress Catherine Deneuve is an angel praying serenely over a chalice of flowing water. Her classic beauty and peaceful repose reminds us to slow down. The birds in this card signify the elements of air and thought, and they remind us to respond rather than react. Insinuate the intellect wisely when the raging waters of emotion threaten to carry us away. Catherine’s praying hands are held up to her forehead, indicating the third eye, which is open. In this, she acknowledges that integrating internal change is critical to maintaining emotional stability. She is also secure in the knowledge that the watchful Raven (the eyes of the Morrigan or Dark Mother) is a representative of the Goddess, who is always watching over us.

It is no coincidence that the Temperance Card falls between the Death Card (#13) (transformation through change) and the Devil Card (#15) (enduring problems) in a tarot deck. When viewing the major arcana in a linear fashion, it becomes apparent that the placement of this card gives us an opportunity to deal with and process emotional change. Take time to watch for signs, markers, totems and patterns that are significant to our personal journey. These signals point the way. Let go of what should be released, such as failed relationships, unsuccessful work arrangements, and uncomfortable or awkward circumstances. Know that irreconcilable differences or contradictory opposites, whether they are inner archetypes stretched by duality or personalities that make working together difficult, can be transcended.

Concurrently, these issues can isolate us when ignored. They keep us from moving forward by instilling fear and making us too frightened to take emotional chances again. When left to fester, they become the even bigger issues that vex us symbolized by the Devil Card (in which case a hearty sense of humor is very helpful).

When the Temperance card appears in a reading, remember the words fluidity, agility, and flexibility and go with the flow.



Read more about the creative process here.
View the Major Arcana Gallery on my art site here.

FROM OUR WORKSHOP: The Queen of Wands

~click on the picture to get a closer look~

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The Queen of Wands © November 28, 2009, pen & ink on Strathmore Bristol 100 pound vellum. The original is approximately 14" x 17" , and is cut out and mounted in layers.

I started this piece in late October and didn’t expect it to take over a month to complete. At that time I was on a roll, producing art quickly and with regularity. I was focused initially on a self-portrait of myself and my spirit guide, Gregor. I’ve always wanted to do a self-portrait, but never got around to it. Maybe it’s because I never knew myself fully until this point in my life. As the piece emerged, it looked like a strega (Italian witch) and her guardian, which was appropriate because I have past life memories and impressions all around these geographic and esoteric areas. In fact, when walking a path that included the Craft, the only documented facet of modern day witchcraft that resonated to me authentically was the old religion, Stregheria. Everything else seemed reinvented. That was long before meeting my spiritual mother. I was much younger, and I’ve written much about it.

Wands, (also called Rods or Sticks) are one of four minor arcana suits in a tarot deck. They are about spirit, or spirituality and intuition. The royals in this suit are about spiritual mastery and intuitiveness. Likewise, this Queen is highly intuitive, and is a catalyst for growth in others. If this Queen is in your life (in one form or another), or if you meet her and interact with her, you will grow. You will grow because of her or in spite of her. But, have no doubt … you will change and grow.

The key phrase for the Queen of Wands is I know myself. This Queen has walked the paths of both dark and light, selfishness and compassion, and made a conscious choice toward personal evolution. She knows who she is and accepts herself wholly and without illusion. She no longer needs to see her reflection in the eyes of others for personal definition, and is beyond looking to others for approval. However, she remembers the lessons of her past.

The dragon in this piece indicates the presence of the most primal spiritual energy in the Queen’s existence. Not spirituality that you read or write about and not the kind you go to lectures to learn. Dragons, in a spiritual context, represent the day-to-day spirituality which is intrinsically a part of our lives ... also known as little voice that speaks to us. Dragons are the supreme guardian, present even before Christianity defined angels, and the modern new age movement defined spirit guides. Before all this, there was the primal and ancient dragon, whose presence as guardian, mentor, and messenger kept us connected with our spiritual and emotional natures, the truest form of who we are as spiritual beings. Now, as the earth shifts on its spiritual axis, dragon guides re-emerge to awaken the sleepers (us).

I struggled with this piece for days, through the new moon in Scorpio, the Saturn/Pluto astrological thing, a wicked case of premenstrual syndrome and as work (my office job) ramped up intensely. Suddenly, my time and attention were pulled elsewhere, and I felt like I was navigating life under water for a week. The image of the witch and her dragon seemed blurry as they competed with one another for space on the page. I had the hardest time doing her face, too, and tried and failed more than once. I reached out to my family and artistic friends on the net, looking for guidance, and for a time, I considered scrapping the piece entirely. But no, I was too in love with the dragon, my beloved Gregor, even if the rest of the piece didn't work well. So, I reworked it intensely, cutting, redo-ing, resizing, and reshaping. Then, satisfied with my efforts and in a moment of defiance, I decided to let the piece birth itself for better or worse.

I woke up one morning and realized as much as this was a self-portrait, it was also a portrait of the Queen of Wands. Herein was the cathartic moment. It was still me, but it was She, as well. With this realization, I found the Queen's inspiration, and the muse began dancing. I'd like to say the composition and flow moved perfectly thereafter. But, it didn't. She still gave me a lot of grief in her birthing. Maybe she's just a difficult Queen to get along with, hm?

I present to you the the second in my series of Tarot Queens (which began with the Queen of Pentacles in September).

So much love,

D~